It was then to take only a few years until Ingeborg Lüscher was to sharpen the contrast between abundance of light and its loss. Light never shines without its sister, the darkness, and there is never so much shadow that it no longer allows belief in light.
Hans Joachim Müller 2016
IL599
Untitled, 1991
Ohne Titel, 1991
Sulphur, glue, ashes and acrylic on jute over wood
215 x 115 x 5.5 cm
(sulphur band 94 cm)
Archive number B 34
Sammlung Josy Kraft, Basel
Provenance
The artist
Exhibitions
Ottoneum (documenta IX), Kassel 1992
Aargauer Kunsthaus Aarau 1996
Catalogues
Kassel 1992, vol 3, p 340 (ill)
Wiesbaden 1993, p 109
Aarau 1996, p 45 (ill), p 85 (ill)
Texts
Petzinger 1993, pp 71-72. Rattemeyer 1993, p 40. Jagla 1994, pp 46-49. McEvilley 1995, pp 4-5. Barzaghini 1996, p 48. Lüscher/Resseler 1996, pp 88-91 . Wismer 1996, p 8-10. Kohlmeyer 1997. Petzinger 1997, pp 22-24. Herzog 1999, pp 66-67. Graevenitz 2001, pp 12-13. Müller 2016, pp 157, 164. Vögele 2016, p 33
Photography
Dona De Carli, Violette Pini (Ottoneum Kassel)